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This is a music blog, but not just any music. It's all about the roots of music. You will not find a lot of pop or mainstream music information here. You will learn about new artists, the up and comers. I want to help them to be heard. I hope you enjoy the site....RR
Thursday, January 31, 2013
JONNY FRITZ Dad Country (April 16, 2013; ATO Records)
Labels:
Dad Country,
Dawes,
Jonny Corndog,
Jonny Fritz,
Paste Magazine,
Taylor Goldsmith
Wednesday, January 30, 2013
REVEREND PEYTON'S BIG DAMN BAND ROARS ACROSS THE COUNTRY THIS SPRING
Big Damn Blues Revolution Tour Kicks Off March 6th With Special Guests:
Jimbo Mathus & Grammy Winner Alvin Youngblood Hart
Los Angeles, CA (January 30, 2013) - Reverend Peyton’s Big Damn Band is happy to announce the Big Damn Blues Revolution Tour, which will take the band throughout the U.S. this spring with special guests Jimbo Mathus and Alvin Youngblood Hart.
With
a reputation for their incendiary live shows, it seemed only natural
for The Big Damn Band to hit the road again in support of Between the Ditches,
their latest album. But this time, The Rev, Breezy & Cuz will
unleash their ferocious blues explosion to the masses alongside some of
their favorite artists for what is sure an unforgettably raucous
affair.
Conceptualized by none other than the Reverend Peyton himself, The Big Damn Blues Revolution Tour is a musical event that will showcase today’s top blues artists in a whole new light. Coming along for the ride are Jimbo Mathus, best known for his work with the swing revival band Squirrel Nut Zippers and blues legend Buddy Guy as well as Grammy Award-winning guitarist Alvin Youngblood Hart. The tour kicks off in March then the Rev will make several appearances at the world-renowned music festival South By Southwest in Austin, TX before continuing the tour throughout the summer.
Conceptualized by none other than the Reverend Peyton himself, The Big Damn Blues Revolution Tour is a musical event that will showcase today’s top blues artists in a whole new light. Coming along for the ride are Jimbo Mathus, best known for his work with the swing revival band Squirrel Nut Zippers and blues legend Buddy Guy as well as Grammy Award-winning guitarist Alvin Youngblood Hart. The tour kicks off in March then the Rev will make several appearances at the world-renowned music festival South By Southwest in Austin, TX before continuing the tour throughout the summer.
Between the Ditches has been received with enthusiasm since its debut at #1 on the iTunes
Blues chart week of release. They’ve received critical raves in the US
and internationally, video play from CMT and MTVu, charting at both
college and Americana radio and inclusion in the hit Showtime series “Shameless” starring William H. Macy.
Roaring
out of the southern Indiana foothills, Reverend Peyton’s Big Damn Band,
plays a brand of Americana and Blues that stands alone - Delta blues
and hillbilly fervor combine with musical acuity sharp as razor wire.
Their new album Between The Ditches is a chronicle of this
lifestyle. Since it arrived in August, excellent reviews have appeared
in publications like Vintage Guitar, Classic Rock Magazine, Alternative
Press and Living Blues. Their fifth album celebrates the growl of a good
truck engine, the fiercest passion for their country home and the
importance of family.
Big Damn Blues Revolution dates:
Wed Mar 6 Columbia, MO Blue Note
Thu Mar 7 St. Louis, MO Old Rock House
Fri Mar 8 Kansas City, MO Knuckleheads
Sat Mar 9 Little Rock, AR Sticky Fingers
Tue Mar 12 Austin, TX The Blackheart SXSW
Wed Mar 13 Austin, TX Club Deville SXSW
Thu Mar 14 Ft. Worth, TX Live Oak Music Hall
Fri Mar 15 Austin, TX Continental Club SXSW
Sat Mar 16 San Antonio, TX Spurs Performance
Sun Mar 17 San Antonio, TX Sam's Burger Joint
Wed Mar 20 Nashville, TN Exit In
Thu Mar 21 Columbus, OH Woodland Tavern
Fri Mar 22 Ferndale, MI Magic Bag Theater
Sat Mar 23 Cleveland, OH Beachland Ballroom
More dates to be announced soon.
Stay connected for the latest:http://www.bigdamnband.
http://www.facebook.com/
http://www.twitter.com/
Tuesday, January 29, 2013
Here's a track from Jack Cade and the Everyday Sinners upcoming album "Lord of the Empty Manor" - Dig it baby!
2011 saw the release of Jack Cade and the Everyday Sinners debut Collision Music album ‘This
Fiery Road’ which introduced the band to an audience far and wide from their native Reading home, picking up new fans from across Europe and the US in the process.
If you haven’t heard the album these words from Rebel' Rod Ames at ‘From Under The Basement’ just about sum it up:
"Take about two cups of Johnny Cash, add a dash or two of Tom Waits, and a smidgen of the psychobilly or punk roots that began molding him years ago, and you have Jack Cade."
Having spent 2012 writing new material, shooting videos and playing a whole bunch of gigs Jack Cade and the Everyday Sinners are ready to embark on their follow up album. The band has been trimmed down from the large mix of musicians who appeared on the debut, and are now based around a core 4 piece band with occasional appearances from guest musicians. The current line-‐up is Jack Cade (vocals & guitar) Mike Muggeridge (bass) Helen Togher (vocal) and Adam Perry (drums). In keeping with this stripped down format the new material is a lot more raw, whilst still weaving its way through an Americana, Country and Folk vibe. The 'Lord of the empty Manor' album will introduce 12 new songs with themes ranging from passion and despair to the ills of the modern life, there are even some Zombies thrown in along the way. However, there is a change to this Collision release, in that the tracks will be released individually each month through the year, with a limited edition vinyl copy available December 2013. First up will be the relentlessly thumping 'Dead Weight Walkin' an allegory for our times, railing against the greed of the few riding on the backs of the many, a theme truly in keeping with the historical links of the name Jack Cade. It’s told through the story of five brothers and their lopsided, turbulent relationship, delivered in a deep angry growl and backed by some searing vocals from Helen and all underpinned by a rolling tribal beat and rhythmic bass line. At the helm for the recording of this album is producer Bobby Bloomfield of Does it offend you, yeah? who has also collaborated with Vienna Ditto, The Adelines, SixNationState, Kamikaze Test Pilots as well as working on numerous other remixes.
Please check out Dead Weight Walkin' which was released on 21 January 2013.
Please, by all means check "Dead Weight Walkin'" a great new tune by Jack Cade and The Everyday Sinners. You will not be sorry.
Dig it!
HENRY WAGONS RELEASES EXPECTING COMPANY? MINI-ALBUM FEATURING DUETS WITH ALISON MOSSHART AND OTHER FRIENDS; HEADS TO NORTH AMERICA FOR SHORT, SWEET TOUR
Australian roots rocker also to
shadow SXSW proceedings in Austin in March
MELBOURNE, Australia — Henry Wagons last week released his first between-band-albums solo recording, Expecting Company?, on Thirty Tigers in the U.S. and Six Shooter in Canada. The release follows the artist’s critically acclaimed U.S. debut effort, Rumble Shake & Tumble, with his band, Wagons.
With favorable reviews
starting to gather, Henry will head to the U.S. for a short tour in
February and March including several appearances during SXSW week.
Six of the seven tracks
are duets featuring six stellar guests: Alison Mosshart (The Kills, The
Dead Weather), Sophia Brous, Canada’s Jenn Grant, Robert Forster (The
Go-Betweens), Patience Hodgson (The Grates) and Australia’s Gossling.
“Most of these songs were written in a slightly altered state,” Henry reveals. Finally home after a long stint on the road, he found himself sick and injured — “delirious with a bad fever and maimed due to a light bulb exploding in my hand.” Resisting the urge to recover in bed, Henry harnessed “the twisted voices” in his head and wrote some songs instead. “They came from a different place, so they required some different voices,” he explains.
“Having multiple voices in a song holds a certain power. They can represent a unique synergy and oneness, or have a certain schizophrenia or oppositional battle.”
“Most of these songs were written in a slightly altered state,” Henry reveals. Finally home after a long stint on the road, he found himself sick and injured — “delirious with a bad fever and maimed due to a light bulb exploding in my hand.” Resisting the urge to recover in bed, Henry harnessed “the twisted voices” in his head and wrote some songs instead. “They came from a different place, so they required some different voices,” he explains.
“Having multiple voices in a song holds a certain power. They can represent a unique synergy and oneness, or have a certain schizophrenia or oppositional battle.”
The U.S. press is impressed: American Songwriter called Wagons “a cool, downbeat and shadowy version of the duskier side of Americana,” while the Country Fried Rock Internet radio program waxed descriptive: “Henry Wagons
must have watched a few too many Las Vegas television specials growing
up. How else would the Australian songwriter have developed a
fascination with the showmanship of Tom Jones and Elvis? Add to the mix
(literally) Wagons’ obsession with vintage reverb sounds like the songs
of Lee Hazelwood and Nancy Sinatra, and you end up with a record full of
noir duets that is both retro and ethereal — without becoming too trippy.”
“There must be something about the Land Down Under that breeds a dark delivery,” opined Blurt.
“Look at Nick Cave or Midnight Oil’s Peter Garrett as ideal examples.
Arched and “intimidating, they possess foreboding tenors well suited to
that ominous stance. Now add Henry Wagons to this list.”
“Expecting Company is a triumph of teamwork and music making (it) of one of the most exciting and elegant albums of the year,” wrote country ‘zine Roughstock in its five-star review.
“I'm very proud of this
duets record and can't wait to some smash some hefty American
floorboards stomping these tunes out,” says Henry Wagons. “We have some
very grand, fun, and mildly twisted plans for the show which I'm sure
people won't want to miss.”
THE NORTH AMERICAN TOUR:
Wed., Feb. 20 NASHVILLE, TN Music City Roots
Thurs., Feb. 21 KNOXVILLE, TN Square Room
Fri., Feb. 22 KNOXVILLE, TN WDVX Blue Plate Special
Mon., Feb. 25 CHICAGO, IL Empty Bottle
Thurs., Feb. 28 TORONTO, ON The Dakota Tavern
Fri., March 1 HARTFORD, CT Black Eyed Susan’s
Sat., March 2 NEW YORK, NY Joe’s Pub
Thurs., March 7 NASHVILLE, TN The High Watt
Fri., March 8 ATLANTA, GA The Masquerade
Sat., March 9 SAVANNAH, GA Savannah Stopover
Sun, March 10 JACKSONVILLE, FL Natural Life Music Festival
Wed., March 13 AUSTIN, TX Guitartown/Conqueroo Kickoff at the Dogwood (3:30 p.m.)
Thurs., March 14 AUSTIN, TX Lucy’s South by South Austin Fried Chicken Revival (1 p.m.)
Thurs., March 14 AUSTIN, TX Thirty Tigers party at St. David's Episcopal Church
March 13-15 TBA – AUSTIN, TX Blurt Magazine party (TBS)
# # #
Sunday, January 27, 2013
Jimbo Mathus & The Tri-State Coalition's "White Buffalo" (Fat Possum Records) is brilliant! Available now
By ' Rebel' Rod Ames
If there was ever a more under rated artist in this vast musical universe, I do not know who it would be other than Mississippi’s own Jimbo Mathus. I suppose, after reading what I just wrote there are certainly many other extremely underrated musicians out there, but this article is about Jimbo Mathus. More specifically, this article is a review of Jimbo Mathus & The Tri-State Coalition’s “White Buffalo”.
I was turned on to Jimbo via the Squirrel Nut Zippers but I had absolutely no idea that Jimbo Mathus was such an enormous part of what made that band. The revelation came to me while I was doing my radio show on KOOK 93.5 FM/KERV 1230 AM in beautiful Junction/Kerrville, Texas.
At times I review music on an internet outfit called Reviewshine.com. A very talented gentlemen who goes by the somewhat satirical name of Reverend Robert Earl Reed, submitted an amazin album called “Carlene”. It was a brilliant record cut from the same fabric as the darkest music Johnny Cash ever released. After playing cuts from this record on my show, I got to know the good Reverend. He raised the curtain for me to some extent on this extremely versatile Jimbo Mathus.
As I said earlier, I had heard The Squirrel Nut Zippers, and I dug their interesting take on ragtime music, but they had not captured my undivided attention. Mr. Reed began sending me YouTube videos, and before long I felt like an ever loving imbecilic music idiot.
Then I started listening to Mr. Mathus’ other albums. Wonderful records like “The Confederate Buddha” and “Jimmy the Kid”. I have been a Jimbo Mathus junkie ever since. However, It’s the good kind of junk, the kind that soothes the soul and you can’t die from it!
“White Buffalo” is an unbelievably good album! The songs are all catchy as hell. It is absolutely Southern Rock ‘N Roll at its very best. At times he takes the listener from soothing southern rock ballads such as “Tennessee Walker Mare”, to hard driving, guitar driven, purist rock ‘n roll like the title track “White Buffalo”. Right after that he knocks it down a notch or two with a beautifully written and performed traditional country tune, “Hatchie Bottom”.
If there was ever a more under rated artist in this vast musical universe, I do not know who it would be other than Mississippi’s own Jimbo Mathus. I suppose, after reading what I just wrote there are certainly many other extremely underrated musicians out there, but this article is about Jimbo Mathus. More specifically, this article is a review of Jimbo Mathus & The Tri-State Coalition’s “White Buffalo”.
I was turned on to Jimbo via the Squirrel Nut Zippers but I had absolutely no idea that Jimbo Mathus was such an enormous part of what made that band. The revelation came to me while I was doing my radio show on KOOK 93.5 FM/KERV 1230 AM in beautiful Junction/Kerrville, Texas.
At times I review music on an internet outfit called Reviewshine.com. A very talented gentlemen who goes by the somewhat satirical name of Reverend Robert Earl Reed, submitted an amazin album called “Carlene”. It was a brilliant record cut from the same fabric as the darkest music Johnny Cash ever released. After playing cuts from this record on my show, I got to know the good Reverend. He raised the curtain for me to some extent on this extremely versatile Jimbo Mathus.
As I said earlier, I had heard The Squirrel Nut Zippers, and I dug their interesting take on ragtime music, but they had not captured my undivided attention. Mr. Reed began sending me YouTube videos, and before long I felt like an ever loving imbecilic music idiot.
Then I started listening to Mr. Mathus’ other albums. Wonderful records like “The Confederate Buddha” and “Jimmy the Kid”. I have been a Jimbo Mathus junkie ever since. However, It’s the good kind of junk, the kind that soothes the soul and you can’t die from it!
“White Buffalo” is an unbelievably good album! The songs are all catchy as hell. It is absolutely Southern Rock ‘N Roll at its very best. At times he takes the listener from soothing southern rock ballads such as “Tennessee Walker Mare”, to hard driving, guitar driven, purist rock ‘n roll like the title track “White Buffalo”. Right after that he knocks it down a notch or two with a beautifully written and performed traditional country tune, “Hatchie Bottom”.
Everything melds perfectly into an album where the whole enchilada works. Every tune, the playing, the lyrics – every single song on the album is a homerun. Every single song! That is something that rarely happens anymore, but Jimbo Mathus and The Tri-State Coalition make it seem easy. It’s obvious the band had an enormously good time making this record.
Within Mr. Mathus’ bio, there is a quote from the late Memphis producer Jim Dickenson. It states - “If you don’t like this, there is seriously something wrong with you”.
If there is seriously something wrong with you, then Jimbo Mathus and The Tri-State Coalition’s “White Buffalo” is certainly the cure.
Yes, it’s very early in 2013, but so far, this is the best of 2013.
Within Mr. Mathus’ bio, there is a quote from the late Memphis producer Jim Dickenson. It states - “If you don’t like this, there is seriously something wrong with you”.
If there is seriously something wrong with you, then Jimbo Mathus and The Tri-State Coalition’s “White Buffalo” is certainly the cure.
Yes, it’s very early in 2013, but so far, this is the best of 2013.
Friday, January 25, 2013
SKYDOG: THE DUANE ALLMAN RETROSPECTIVE CHRONICLES GROUNDBREAKING GUITARIST’S CAREER, FROM GARAGE BANDS AND R&B SESSION WORK TO THE ALLMAN BROTHERS AND DEREK & THE DOMINOS
Seven CD set, due out March 5 on Rounder Records,
includes rare recordings by Allman’s early bands:
the Escorts, Allman Joys, the 31st of February, and the Bleus.
Extensive liner notes are accompanied by a tribute from Allman’s daughter.
includes rare recordings by Allman’s early bands:
the Escorts, Allman Joys, the 31st of February, and the Bleus.
Extensive liner notes are accompanied by a tribute from Allman’s daughter.
The deluxe seven-disc collection, carrying a list price of $139.98, contains the guitarist’s best-known and most commercially successful recordings with the Allman Brothers Band and Derek & the Dominos, as well as session work with Aretha Franklin, Wilson Pickett, Boz Scaggs, Clarence Carter, King Curtis, Delaney & Bonnie & Friends, Ronnie Hawkins, Otis Rush, Laura Nyro, Lulu, the Sweet Inspirations, Laura Lee, Spencer Wiggins, Arthur Conley, Willie Walker, the Lovelles, the Soul Survivors, Johnny Jenkins, John Hammond, Doris Duke, Eric Quincy Tate, Herbie Mann and more.
The set was produced by Galadrielle Allman (Duane’s daughter) and two-time Grammy® winning producer Bill Levenson. Rounder Records’ Scott Billington served as executive producer. Scott Schinder contributed comprehensive historical liner notes, complemented by additional notes by Galadrielle Allman.
In her recollection of her father, who died when she was a young child, Galadrielle writes, “I am very lucky that my father is Duane Allman, an artist who left behind a wealth of incredible music . . . Working on this retrospective, I have gotten closer than I ever have been to understanding my father’s development as a musician and a man.”
Duane Allman, known to his bandmates as Skydog, was born in Nashville in 1946. With Gregg, his only sibling, Duane had his first moment of musical revelation upon witnessing a late ’50s R&B bill that featured B.B. King and Jackie Wilson. By 1960, both Duane and Gregg owned guitars and played in a series of neighborhood garage bands in Tennessee and Florida. Continuing their interest in blues and R&B in the shadow of blues radio station WLAC-AM’s continent-spanning signal, as well as absorbing the influence of the British Invasion, the brothers launched the Escorts in 1965 and the Allman Joys, who recorded a handful of sides in Bradley’s Barn in Nashville in 1966. By 1967, Duane and Gregg signed to Liberty as the Hour Glass and recorded two albums in Nashville and Los Angeles. When the band sought to defy the label and spread its musical wings, they were dropped. The brothers returned to Florida, hooked up with drummer Butch Trucks, and recorded two sides as the 31st of February, and later at Ardent Studio in Memphis as the Bleus.
By this time Duane had developed a reputation as a leading session guitarist. He was on Fame Studio’s A list, his guitar licks coloring hits by Wilson Pickett. Atlantic Records producer and executive Jerry Wexler took note and hired him to perform on Atlantic sessions by King Curtis, Otis Rush, Arthur Conley, the Soul Survivors and Sweet Inspirations. Wexler signed him to a solo Atlantic deal, resulting in a session that contained the raucous original “Happily Married Man” and more. The session, contained on the Skydog set, was abandoned mid-stream. But by then Capricorn Records’ Phil Walden had noticed the rumblings from Muscle Shoals. Duane gathered up brother Gregg, Dickey Betts, Berry Oakley, Butch Trucks, Jai Johanny Johanson and others and the Allman Brothers Band was born.
According to reissue annotator Schinder, “The [Allman Brothers Band’s] music was complex and adventurous, yet unfailingly accessible. The subtle and harmonic interplay between Duane and Dickey’s dual lead guitars was matched by the three-man rhythm section’s surging, swinging cross-rhythms, with Gregg’s massively expressive singing and organ playing keeping the music firmly grounded in human emotion.” The band’s profile grew with each release — the self-titled debut, Idlewild South and eventually the band’s breakthrough, At Fillmore East.
Testament to his energy and ambition, Duane still found time for side projects. When bandmates would hole up at home after tours, Duane joined fellow world-class guitarist Eric Clapton on Derek & the Dominos’ Layla and Other Assorted Love Songs. While not an official member, he quickly emerged as a major contributor to the classic album, his twin guitar interplay with Clapton shaping the hits “Layla” and “Why Does Love Got To Be So Sad.” He also worked with Delaney & Bonnie & Friends and Laura Nyro between Allman Brothers Band projects.
By then acknowledged as one of rock’s premier guitarists, Duane and the Allman Brothers Band began recording their follow-up to At Fillmore East — Eat a Peach. Tom Dowd, another legendary Atlantic house producer, oversaw sessions at Criteria Studios. Then on October 29, 1971, four days after Fillmore had been certified gold, Duane was riding his motorcycle and swerved to avoid hitting a truck. He crashed and died of internal injuries. He was 24 years old.
The band forged ahead as a quintet on Eat a Peach, which became one of their best selling albums. The Allman Brothers, led by Gregg Allman and Butch Trucks, continue to perform to this day.
Schinder notes, “More than four decades after his death, Duane Allman remains a towering figure whose stature has only increased in his absence. His influence lives on, not only in the multiple generations of guitarists who have been motivated by his input, but also in the legions of listeners who have continued to find inspiration in his vibrant vision of American music, which remains as fresh and truthful today as when it was created.”
“When a musician of my father’s caliber dies, every note he ever recorded becomes even more precious,” writes Galadrielle. “Each song is pressed into the service of telling his story. The longer Duane is gone, the clearer it becomes that there will never be another like him.”
Over seven discs, Skydog tells the Duane Allman story with rare and never-before-heard gems alongside smash hits.
“I hope the celebration of Duane’s life inspires you to live fearlessly and enjoy life,” Galadrielle concludes. “I know that would have made him proud.”
Disc One
1 THE ESCORTS Turn On Your Love Light 2:33
2 THE ESCORTS No Name Instrumental 3:13
3 THE ESCORTS What’d I Say 4:04
4 THE ALLMAN JOYS Spoonful 2:27
5 THE ALLMAN JOYS Gotta Get Away 2:38
6 THE ALLMAN JOYS Shapes Of Things 2:47
7 THE ALLMAN JOYS Crossroads 3:32
8 THE ALLMAN JOYS Mister, You’re A Better Man Than I 4:45
9 THE ALLMAN JOYS Lost Woman 5:23
10 HOUR GLASS Cast Off All My Fears 3:31
11 HOUR GLASS I’ve Been Trying 2:39
12 HOUR GLASS Nothing But Tears 2:29
13 HOUR GLASS Power Of Love 2:51
14 HOUR GLASS Down In Texas 3:08
15 HOUR GLASS Norwegian Wood (This Bird Has Flown) 3:01
16 HOUR GLASS B.B. King Medley 7:07
17 HOUR GLASS Been Gone Too Long 3:03
18 HOUR GLASS Ain’t No Good To Cry 3:08
19 31ST OF FEBRUARY Morning Dew 3:46
20 31ST OF FEBRUARY Melissa 3:12
21 THE BLEUS Milk And Honey 2:34
22 THE BLEUS Leavin’ Lisa 2:43
23 THE BLEUS Julianna’s Gone 2:59
Disc Two
1 CLARENCE CARTER The Road Of Love 2:54
2 CLARENCE CARTER Light My Fire 2:49
3 WILSON PICKETT Hey Jude 4:06
4 WILSON PICKETT Toe Hold 2:49
5 WILSON PICKETT My Own Style Of Loving 2:41
6 WILSON PICKETT Born to Be Wild 2:45
7 LAURA LEE It’s How You Make It Good 2:32
8 LAURA LEE It Ain’t What You Do (But How You Do It) 2:05
9 SPENCER WIGGINS I Never Loved A Woman (The Way I Love You) 3:01
10 ARTHUR CONLEY Ob-La-Di, Ob-La-Da 3:00
11 ARTHUR CONLEY Stuff You Gotta Watch 2:15
12 ARTHUR CONLEY Speak Her Name 2:39
13 ARTHUR CONLEY That Can't Be My Baby 2:22
14 WILLIE WALKER A Lucky Loser 2:20
15 THE LOVELLES I'm Coming Today 2:59
16 THE LOVELLES Pretending Dear 2:38
17 ARETHA FRANKLIN The Weight 2:53
18 ARETHA FRANKLIN It Ain't Fair 3:22
19 SOUL SURVIVORS Darkness 2:56
20 SOUL SURVIVORS Tell Daddy 2:30
21 SOUL SURVIVORS Got Down On Saturday 3:10
22 KING CURTIS Hey Joe 2:56
23 KING CURTIS Foot Pattin' 4:49
24 KING CURTIS Games People Play 2:46
25 KING CURTIS The Weight 2:47
26 THE SWEET INSPIRATIONS Get A Little Order 2:06
Disc Three
1 THE BARRY GOLDBERG BLUES BAND Twice A Man 4:26
2 DUANE ALLMAN Goin' Down Slow 8:44
3 DUANE ALLMAN No Money Down 3:25
4 DUANE ALLMAN Happily Married Man 2:40
5 OTIS RUSH Me 2:55
6 OTIS RUSH Reap What You Sow 4:53
7 OTIS RUSH It Takes Time 3:25
8 THE DUCK & THE BEAR Going Up The Country 2:34
9 THE DUCK & THE BEAR Hand Jive 2:41
10 BOZ SCAGGS Finding Her 4:10
11 BOZ SCAGGS Look What I Got 4:13
12 BOZ SCAGGS Waiting For A Train 2:41
13 BOZ SCAGGS Loan Me A Dime 13:01
14 THE ALLMAN BROTHERS BAND Don't Want You No More 2:26
15 THE ALLMAN BROTHERS BAND It's Not My Cross To Bear 5:01
16 THE ALLMAN BROTHERS BAND Black Hearted Woman 5:07
17 THE ALLMAN BROTHERS BAND Trouble No More 3:45
Disc Four
1 THE ALLMAN BROTHERS BAND Every Hungry Woman 4:13
2 THE ALLMAN BROTHERS BAND Dreams 7:16
3 THE ALLMAN BROTHERS BAND Whipping Post 5:16
4 RONNIE HAWKINS One More Night 2:22
5 RONNIE HAWKINS Will The Circle Be Unbroken 2:50
6 RONNIE HAWKINS Matchbox 3:05
7 RONNIE HAWKINS Down In The Alley 5:08
8 RONNIE HAWKINS Who Do You Love 2:13
9 LULU Marley Purt Drive 3:21
10 LULU Dirty Old Man 2:20
11 LULU Mr. Bojangles 3:08
12 LULU Sweep Around Your Own Back Door 2:40
13 JOHNNY JENKINS I Walk On Gilded Splinters 5:16
14 JOHNNY JENKINS Rollin’ Stone 4:56
15 JOHNNY JENKINS Down Along The Cove 3:02
16 JOHNNY JENKINS Voodoo In You 4:50
17 JOHN HAMMOND Shake For Me 2:42
18 JOHN HAMMOND Cryin’ For My Baby 2:39
19 JOHN HAMMOND I’m Leavin’ You 3:20
20 JOHN HAMMOND You’ll Be Mine 2:42
21 DORIS DUKE Ghost Of Myself 3:06
Disc Five
1 ERIC QUINCY TATE Comin’ Down (demo version) 2:52
2 THE ALLMAN BROTHERS BAND Hoochie Coochie Man (live) 5:00
3 THE ALLMAN BROTHERS BAND Midnight Rider 2:58
4 THE ALLMAN BROTHERS BAND Dimples (live) 4:59
5 THE ALLMAN BROTHERS BAND I'm Gonna Move To The Outskirts Of Town (live) 9:21
6 DELANEY & BONNIE & FRIENDS Soul Shake 3:06
7 LAURA NYRO Beads Of Sweat 4:47
8 THE ALLMAN BROTHERS BAND Don’t Keep Me Wonderin’ 3:28
9 DELANEY & BONNIE & FRIENDS Living On The Open Road 3:03
10 ELLA BROWN A Woman Left Lonely 3:23
11 ELLA BROWN Touch Me 2:59
12 BOBBY LANCE More Than Enough Rain 5:51
13 DEREK & THE DOMINOS I Am Yours 3:34
14 DEREK & THE DOMINOS Why Does Love Got To Be So Sad? 4:41
15 DEREK & THE DOMINOS Have You Ever Loved A Woman 6:52
16 DEREK & THE DOMINOS Layla 7:03
17 ERIC CLAPTON & DUANE ALLMAN Mean Old World 3:48
Disc Six
1 SAM SAMUDIO Me And Bobby McGee 3:31
2 SAM SAMUDIO Relativity 3:14
3 SAM SAMUDIO Goin' Upstairs 5:06
4 RONNIE HAWKINS Don't Tell Me Your Troubles 2:13
5 RONNIE HAWKINS Sick And Tired 2:45
6 RONNIE HAWKINS Odessa 3:19
7 DELANEY & BONNIE & FRIENDS Gift Of Love 2:09
8 DELANEY & BONNIE & FRIENDS Sing My Way Home 4:02
9 THE ALLMAN BROTHERS BAND Statesboro Blues (live) 4:17
10 THE ALLMAN BROTHERS BAND In Memory Of Elizabeth Reed (live) 13:04
11 GRATEFUL DEAD Sugar Magnolia (live) 7:20
12 THE ALLMAN BROTHERS BAND One Way Out (live) 4:57
13 HERBIE MANN Push Push 10:03
14 HERBIE MANN Spirit In The Dark 7:59
15 HERBIE MANN What’d I Say 4:57
Disc Seven
1 DELANEY & BONNIE & FRIENDS Come On In My Kitchen (live) 3:42
2 DELANEY & BONNIE & FRIENDS Going Down The Road Feeling Bad (live) 4:03
3 DELANEY & BONNIE & FRIENDS Poor Elijah / Tribute To Johnson (Medley) (live) 4:54
4 THE ALLMAN BROTHERS BAND You Don't Love Me / Soul Serenade (live) 19:25
5 COWBOY Please Be With Me 3:41
6 THE ALLMAN BROTHERS BAND Stand Back 3:24
7 THE ALLMAN BROTHERS BAND Blue Sky 5:09
8 THE ALLMAN BROTHERS BAND Blue Sky (live) 11:24
9 THE ALLMAN BROTHERS BAND Dreams (live) 17:56
10 THE ALLMAN BROTHERS BAND Little Martha 2:07
# # #
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